Sunday, July 15, 2012

Glastonbury inspires my Visionary Fiction


When I first read the classic fantasy novel, The Mists of Avalon by Marion Zimmer Bradley, I was enchanted with the story’s setting in Glastonbury, England, the ancient Isle of Avalon. After reading the novel, I visited Glastonbury several times. I eventually moved there for 13 months in order to immerse myself in the energy and do research, as all of my novels take place in Glastonbury. As a lovely surprise and side bonus, I actually met and married my husband there! And of all the wonderful people I encountered, one incredible woman has remained a dear friend, across the sea, up to this day.

While living in Glastonbury, I would make daily excursions to the Chalice Well, one of Glastonbury’s more powerful sacred sites. Spending time in the Chalice Well Gardens quenched a deep longing within me as only the fulfillment of a spiritual quest can do. During my daily visits, I would experience spontaneous waking visions that stirred my soul. I began to study the local folklore and legend. Glastonbury taught me to explore the realms of mystery and magic, and helped me to discover worlds seen and unseen. The worlds that lay parallel to our everyday existence. These are the worlds that visionary fiction is created from.

I tapped into these realms of legend and archetype, especially Celtic lore, to weave the edgy magical fantasy aspect throughout my novels. Tapping into all of my experiences, I began to write my Goddess of the Stars and the Sea series about priestesses who had lived in Glastonbury throughout the ages up through today.

Lion's Head Fountain, Chalice Well Gardens
Glastonbury remains one of my favorite spots. The Chalice Well Gardens, the beacon-like hill called the Tor - all the sacred sites I was introduced to through reading The Mists of Avalon – touched the core of my being, and continue to inspire the content of my visionary fiction, magical fantasy stories.
   
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~Jodine Turner is the best-selling, award winning author of the visionary fiction, fantasy Goddess of the Stars and the Sea series about young priestess who have lived in Avalon down through the ages to today. www.jodineturner.com


                                                                                                                                       

Tuesday, April 24, 2012

Festival of Beltaine - May 1st


“I want to do with you what the spring does with the cherry trees”
~Pablo Neruda

The first day of May has been celebrated for thousands of years as the season of fertility, when nature displays her beauty, juiciness, and the fecundity that brings about new life. In the Celtic tradition, this is called Beltaine, which means the magic of flowers.

Flower blossoms herald the renewed vitality of summer. On Beltaine, we celebrate life, growth, love, and sexuality. Beltaine is the season for lovers. The life force of nature, the healing ‘greening’ or Veriditas as Hildegard of Bingen called it, courses through our veins as well as nature’s. No wonder Beltaine is often associated with love-making.

Hawthorn, a prevalent tree and hedgerow bush of England (as well as growing in the USA), blooms in May and is associated with Beltaine. Traditionally, ribbons and bright scraps of material were hung on the blossoming tree to honor Beltaine. It is said that Hawthorn’s small white flowers carry the scent of a woman’s yoni. 

Hawthorn is also a tree sacred to faeries and faerie trysts. The hawthorn tree figures prominently as a magical tree and metaphor in my novels. As my Beltaine offering, I've included a book excerpt from Carry on the Flame:Destiny’s Call at the end of my post. It is the scene where the Welshman Guethyn prepares for his Beltaine ritual with Sharay.

Another tradition belonging to Beltaine is to jump between two Beltaine bonfires. This ritual brings good fortune and prosperity, as well as health to the livestock. The fires bring the power of the sun to the earth to sanctify and purify the whole community. The bonfire was kindled with the wood of nine sacred trees – willow, hazel, alder, birch, ash, yew, elm, and oak. Notice only eight trees are mentioned – the ninth is said to be a mystery.

The maypole was another popular symbol of e returning growth and upcoming summer. On May Day/Beltaine, a tall tree was felled and set up on the village green. A long streamer was tied to the tree pole and villagers added their own streamers in turn, weaving the ribbons in and out of each other as they danced around the Maypole.

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Beltaine Rituals:

1.On May Eve, make a May bough to place on your altar or to use as a table centerpiece. 

Ask permission of one of the flowering trees from the sacred trees listed above, or from other flowering trees native to your area such as dogwood, crab apple, etc., to cut a small budding branch, including its twigs. Crush the bottom of the branch so that it will absorb water, and anchor it in a vase of water, with pebbles. 

2. Make a traditional Hawthorn brandy. 

Fill a wide-mouthed jar with hawthorn flower petals, cover with brandy, and let the infusion sit for 2-3 months. Strain and re-bottle. 
 

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(Guethyn prepares for his Beltaine Ritual with Sharay)

In the thick of the forest, Guethyn readied himself amidst a grove of birch trees. He had chosen the spot not only for the ring shaped thicket, place of nature’s ancient earth magic, but for the color of the birch bark. The silver hue reminded him of Sharay’s white-blond hair. 

 He sat cross-legged, spine erect, in the center of the grove. He was able to quiet his mind easily enough. What he was having trouble with was stilling his heart beat and the ache in his body that wanted only to touch Sharay in the yielding places that had brought her moaning with pleasure the night before. While pleasure was part of Beltaine’s gift from the Goddess, he knew this ritual meant more. Through the portal of pleasure, it would also be Sharay’s initiation into her true power. 

His grandfather had given him a set of invocations and prayers as part of his preparation, and Guethyn set to work. First, he pulled off all of his clothes and dropped them in a pile beside him. He closed his eyes and shifted his attention to the verdant ground he sat upon, to the trees that surrounded him in leafy canopy.  

He’d spent many years exploring the woods of his grandfather’s home in Northern Wales where he’d played amidst the huge oaks, learning how to forage for berries and mushrooms, how to make himself a bed of soft moss and leaves inside the cradling arms of the oak roots. Grandfather had made sure also to teach him about the invisible beings and the secret language of the forest realm.  

“The forests of Wales are the poetry of the Goddess,” grandfather had said. “This landscape shaped our people and our culture, uninterrupted by invaders, for centuries.”

 Guethyn’s body and blood carried this Welsh heritage and effortlessly thrummed in tune to the ageless pulse of the forest. It was as much a part of his being as his ancestors were.

Freshly blossomed blue bells spread their sweet scented carpet to blanket the ground around him, fanned out in a king’s mantle of brilliant blue and purple. He opened his hand to touch the delicate flowers and his fingers extended further, seemingly merging with the gnarled roots of the ancient oak tree in the midst of the birch grove. Lichen and moss inched their way up the tree’s trunk, and he felt their feather soft greenery tickle as if it grew along his own torso. He lifted his arms like the tree’s branches, where red kite and cuckoo balanced delicately, quieting their birdsong in anticipation of their native son’s invocation. 

 He began his chant, first in English, then unknowingly switching to the guttural lilt of Welsh. His deep voice rang out throughout the grove, and the earth answered his calling. The birch trees held their breath, their leaves unmoving, providing a deep primordial stillness through which the chants reverberated.


Tuesday, March 20, 2012

The Place of Visionary Fiction in Today’s World - guest post



I am so pleased to share this insightful and thought provoking article with you about the genre of books I write - visionary fiction. Please enjoy this guest post by author Saleena Karim. Saleena is part of the Vistionary Fiction Web Ring, a group of visionary fiction authors devoted to promoting the genre of Visionary Fiction. I just finished reading Saleena's latest visionary fiction novel: Systems: A Novel. It was a brilliant read, a suspenseful thriller, and I highly recommend it.

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The Place of Visionary Fiction in Today’s World

Whilst the genre of visionary fiction is relatively new, it actually has its roots in ancient mythology, and in the parables and legends we find in religious scripture across the world. It openly harks back to the original function of 'story' itself, to ask questions about humanity, what we are, where we are going, and what we would like to become. So in a way, visionary fiction isn't new at all. But we might ask why this 'new' type of novel has appeared just as we have crossed into the new millennium.

It's a mad world

The future is undoubtedly both exciting and uncertain. It's exciting because of the pace of technology; faster communications such as the internet and mobile devices and TV; the leaps in our understanding of the physical universe; our advances in medicine, genetics and much more. Yet it's also uncertain, because it seems to lack direction. Many of us fear that our combined knowledge is not being put to the best possible use; we remain painfully irresponsible when it comes to the environment; the vast majority of scientific research is funded by, and carried out for, the military; and we still can't feed the world, even though it is already technically possible. Many people express concerns about 'progress for the sake of progress'. Some even fear that we are losing sight of our very humanity and are gradually becoming machines.

Whilst ancient religious cultures emphasised the importance of the 'spiritual', in the modern age we seem to have fostered a culture of pure materialism. It might be said that at one time humanity was so focused on the spiritual, and on religion, that we neglected the material world and progressed very slowly. In recent centuries, we have reacted to this one-sided worldview by embracing science. But in our enthusiasm for material progress, we have also rejected the 'spiritual', and are out of touch with our inner selves. To put it another way, whilst we are technologically advanced, psychologically we remain quite primitive.

Rediscovery

Visionary fiction comes from a human psychological need - a desire to rediscover the 'spiritual'. It is also a totally new incarnation of the stories of old. It may contain (fictional or otherwise) references to Moses, or Buddha, or Celtic or Roman deities, or reincarnation, psychics, and the rest, inviting us to suspend our disbelief to make way for the fantastic. Yet it also seeks to find the spiritual through the regular, worldly gateways of genetic engineering, computer technology, environmentalism and dreams (insofar as dreams are a natural psychological phenomenon). In short, it uses the seemingly ordinary to explore the extraordinary.

At present visionary fiction is still new and virtually unheard of in the mainstream. But with time it could become an important part of our literary heritage and provide a valuable commentary on our present collective state of mind. Visionary fiction gives equal space to spirit and matter, and bridges the gap by suggesting that the difference between the two is perceived rather than real. And unlike some forms of speculative fiction, it looks to the future with hope.




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Jodine Turner is the award winning and visionary fiction, fantasy author of the Goddess of the Stars and the Sea series about young priestess who have lived in Avalon down through the ages to today. www.jodineturner.com